Gothic novel, merciless vendetta, and tragic romance—these are often used to describe the book Wuthering Heights. A man with absence of expression on his face was staring at me in the black-and-white photograph on the book cover. Its cover and title (even the thickness of book itself with more than 400 pages) depressed me in the first encounter before I even get to know the main character. However, when I closed the book after reading the very last sentence, not even a strap of melancholy stayed with me. A book of ultimate hope, I would call it. Despite all the tragic deaths and ugliness of humans portrayed in the novel, the author, Emily Bronte, lets a beam of light to shine across the dark room of life.
Heathcliff, the central character, was once a weak orphan adored by Mr. Earnshaw. Unfortunately, the world showed no compassion toward the sullen boy, but constantly tortured him with Hindley’s hatred and anxiety of losing his love. The betrayal of his Catherine rubbed salt in his wounds leaving no room for him to breathe calmly. It was his environment that forced Heathcliff to freeze his humanity yet to boil vindictive spirit.
Nature plays an enormous role in this novel. Bronte often uses weathers and the hills itself to develop the story. A wind roars when Mr. Earnshaw leaves his journey with no way back. It is, again, the wind that wraps Catherine’s house when her death starts to press upon her. Catherine starts aligning herself to the moors by claiming “[her] soul will be on [the] hill-top,” (159) not with Edgar, her husband. I could find an interesting connection here; throughout the plot, I began to realize that Heathcliff and the hills overlap each other. Bleak, windswept moors actually symbolize Heathcliff’s life. Winds of hardship never led Heathcliff in peace, and so as the winds of hills did to the Wuthering Heights. Thus, Catherine declaring her soul to be with the hill indicates that her heart belongs to Heathcliff. How could this powerful, unbreakable fusion of Catherine and Heathcliff be limited under a single word, love? Love is not enough to describe their linkage. “I am Heathcliff,” (102) Catherine states. They are each other.
Wuthering Heights is neither a love story nor a tragedy of a man. It handles life of Heathcliff, Catherine, and of us. Bronte provides us with a hope after all the despairs. Heathcliff’s soul departs his body, leaving a serene smile on the face. A man who barely displayed happy expression on his face smiles when death holds him. I found death of Heathcliff not tragic. It seems rather as a peaceful repose compared to his stormy unrestful life. After buying Heathcliff next to Catherine’s tomb, Cathy, the daughter of Catherine, and Hareton promising their future with love and continuing their lives. By showing the younger generation’s life, I thought that the true message that Bronte wanted to suggest through Heathcliff’s death is that life on this planet never ends yet continues.
What I loved the most about this novel was its passionate lines of characters. Emily Bronte certainly touches her readers by using vivid yet precise vocabularies. The lines that penetrated into my mind were those of Heathcliff: “Kiss me again, but don’t let me see your eyes! I forgive what you have done to me. I love my murderer—but yours! How can I?” (201) He cries these lines out to Catherine when she asks for his forgiveness. Heathcliff does not directly mention that he cannot bear Catherine’s change, but spits out his emotion by using highly appropriate metaphor which makes his words more sorrowful and beautiful.
Her choice of narrative styles is clever as well. By using the character Mr. Lockwood to introduce Heathcliff in the first place with Wuthering Hills, Bronte has done a great job in arousing curiosity of readers. As the story moves on, Nelly, another character, retells what she has seen; and I considered this method quite effective. If the story was narrated from Heathcliff’s point of view, it might not have been as interesting as it is now. Knowing too much either about Heathcliff or Catherine by viewing events from his or her eyes would have removed the excitement of mystery.
Wuthering Heights is the one and only book of Emily Bronte. I have no question about the fact. After dealing with all we humans have—love, hatred, revenge, pardon, life, and finally death—in a single novel, how could she possibly find more to explore?